<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet href="http://dunbarfilm.wetpaint.com/xsl/rss2html.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="http://dunbarfilm.wetpaint.com/scripts/wpcss/wiki/dunbarfilm/skin/highsociety/rss" type="text/css" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/"><channel><title>Dunbar Film Society - Recently Updated Pages</title><link>http://dunbarfilm.wetpaint.com/pageSearch/updated</link><description>Recently Updated Pages on http://dunbarfilm.wetpaint.com</description><language>en-us</language><webMaster>info@wetpaint.com</webMaster><pubDate>Sun, 03 Feb 2008 09:51:55 CST</pubDate><lastBuildDate>Sun, 03 Feb 2008 09:51:55 CST</lastBuildDate><generator>wetpaint.com</generator><ttl>60</ttl><image><title>Dunbar Film Society</title><url>http://image.wetpaint.com/wiki/dunbarfilm/image/2WCEGsmAUzQcnxtFQeOJ3YQ==5105</url><link>http://dunbarfilm.wetpaint.com</link></image><item><title>Home</title><link>http://dunbarfilm.wetpaint.com/page/Home</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/Home</guid><pubDate>Sun, 03 Feb 2008 09:51:55 CST</pubDate><description>&lt;font face=&quot;Helvetica&quot;&gt;&lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/2008+Programme&quot; target=&quot;_self&quot;&gt; &lt;/a&gt;Welcome to the new year at the Dunbar Film Society!&lt;/font&gt;&lt;br&gt;&lt;br&gt;&lt;font face=&quot;Helvetica&quot;&gt;We have an interesting and varied line up of films for you this year - please have a look at our &lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/2008+Programme&quot; target=&quot;_self&quot;&gt;2008&lt;/a&gt; programme and see what catches your eye. &lt;/font&gt;&lt;br&gt;&lt;br&gt;&lt;font face=&quot;Helvetica&quot;&gt;Choosing the right films for the Society is a great responsibility - balancing the mix between entertainment and gravity, while making sure that each film is of the quality that the membership expect, is always a challenge. The committee have made a real effort to produce a programme that will meet these demands. There are award-winners, comedies, tragedies, romances and dramas - some from the last year&amp;#39;s releases and some from a little farther back. &lt;/font&gt;&lt;br&gt;&lt;br&gt;&lt;font face=&quot;Helvetica&quot;&gt;Members have suggested an increase in the social aspect of the DFS. We think that&amp;#39;s a cracking idea and we&amp;#39;ve found that the bar is open until 12:00 - we hope that you will join us for a few drinks and a little film talk after the screening.&lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/Contact&quot; target=&quot;_self&quot;&gt; &lt;/a&gt;&lt;/font&gt;&lt;br&gt;&lt;br&gt;&lt;font face=&quot;Helvetica&quot;&gt;If you have any suggestions for future screenings or events, please let us know by &lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/Contact&quot; target=&quot;_self&quot;&gt;email&lt;/a&gt; or via the log book. You will understand that we can&amp;#39;t show everything but good ideas are always welcome and we shall give all suggestions a fair hearing.&lt;/font&gt;&lt;br&gt;&lt;br&gt;&lt;font color=&quot;#ffa500&quot; size=&quot;4&quot;&gt;Where &lt;/font&gt;&lt;font face=&quot;Helvetica&quot;&gt;All films are shown at the &lt;/font&gt;&lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/Venue&quot; target=&quot;_self&quot;&gt;&lt;font face=&quot;Helvetica&quot;&gt;Hallhill Healthy Living Centre&lt;/font&gt;&lt;/a&gt;&lt;font face=&quot;Helvetica&quot;&gt; in Dunbar. Entry to screenings will be on a first-come, first-served basis on the night. Please bring and show your &lt;/font&gt;&lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/Join&quot; target=&quot;_self&quot;&gt;&lt;font face=&quot;Helvetica&quot;&gt;membership&lt;/font&gt;&lt;/a&gt;&lt;font face=&quot;Helvetica&quot;&gt; card to gain entry to the film.&lt;/font&gt; &lt;br&gt;&lt;font color=&quot;#ffa500&quot; size=&quot;4&quot;&gt;When &lt;/font&gt;&lt;font face=&quot;Helvetica&quot;&gt;Doors open at 7.30 pm. Last entry is at 7.55. A short film may be shown from 8 pm, followed by a short break and the main feature. &lt;/font&gt;&lt;br&gt;&lt;br&gt;&lt;font face=&quot;Helvetica&quot;&gt;&lt;b&gt;Guests are welcome&lt;/b&gt;, and guest tickets will be available from 7.45 on the night at a cost of &amp;pound;4.&lt;/font&gt;&lt;br&gt;&lt;br&gt;&lt;font face=&quot;Helvetica&quot;&gt;Dunbar Film Society has bought equipment generously funded by the Dunbar Community Council, Forward Scotland, and Viridor Credits. &lt;/font&gt;  &lt;h3&gt;  &lt;font face=&quot;Helvetica&quot;&gt;Call for Volunteers&lt;/font&gt;&lt;/h3&gt;&lt;font face=&quot;Helvetica&quot;&gt;We are always in need of volunteers among our membership to set up and take the down the screening equipment. &lt;/font&gt;  &lt;br&gt;&lt;br&gt;&lt;font face=&quot;Helvetica&quot;&gt;Please &lt;/font&gt;&lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/Contact&quot; target=&quot;_self&quot;&gt;&lt;font face=&quot;Helvetica&quot;&gt;contact us&lt;/font&gt;&lt;/a&gt;&lt;font face=&quot;Helvetica&quot;&gt; if you would like to help.&lt;/font&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>Film Vault</title><link>http://dunbarfilm.wetpaint.com/page/Film+Vault</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/Film+Vault</guid><pubDate>Sun, 03 Feb 2008 09:44:28 CST</pubDate><description>Updates will be made to this page very soon.     Welcome to the Vault. This is where you will find links to previous films, along with ratings given on the night. The ratings, made by members of the audience, are marks out of 10. For years previous to 2006, we offer only the titles of the films (and average ratings for 2005), which are arranged in alphabetical order.   &lt;h3&gt;  2006 season&lt;/h3&gt;  &lt;ol&gt;  &lt;li&gt;  &lt;b&gt;Hear My Song&lt;/b&gt;&lt;br&gt;Rating: 9&lt;br&gt;Comments from the audience: &lt;i&gt;&amp;quot;Really quirky zany film -- enjoyed very much.&amp;quot; &lt;br&gt;&amp;quot;Great! Just what&amp;#39;s needed after a hard week!&amp;quot;&lt;/i&gt;&lt;br&gt;See also: &lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.spatty.demon.co.uk/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Josef Locke Appreciation Site&lt;/a&gt;   &lt;/li&gt;&lt;li&gt;  &lt;b&gt;A Very Long Engagement&lt;/b&gt;&lt;br&gt;Rating: 9&lt;br&gt;Comments from the audience: &lt;i&gt;&amp;quot;Thought provoking and very beautiful as well as horrific in its contrasts.&amp;quot; &lt;br&gt;&amp;quot;Really well made, a little over-ambitious.&amp;quot;&lt;br&gt;&amp;quot;Tres tres bien.&amp;quot;&lt;/i&gt;&lt;br&gt;See also: &lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.greatwar.nl/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;The Heritage of the Great War&lt;/a&gt;   &lt;/li&gt;&lt;li&gt;  &lt;b&gt;The Story of the Weeping Camel&lt;/b&gt;&lt;br&gt;Rating: 9&lt;br&gt;Comments from the audience: &lt;i&gt;&amp;quot;Excellent choice. A &amp;#39;feel good&amp;#39; film. Great scenery.&amp;quot;&lt;br&gt;&amp;quot;Unusual, enchanting, congratulations on the choice.&amp;quot;&lt;br&gt;&amp;quot;Very moving. Reminded me of my childhood on the farm (minus the camels!)&amp;quot;&lt;/i&gt;&lt;br&gt;See also: &lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.nationalgeographic.com/weepingcamel/index.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;National Geographic Society&lt;/a&gt;   &lt;/li&gt;&lt;li&gt;  &lt;b&gt;On a Clear Day&lt;/b&gt;&lt;br&gt;Rating: 9&lt;br&gt;Comments from the audience: &lt;i&gt;&amp;quot;Nice gentle film, easy viewing.&amp;quot;&lt;br&gt;&amp;quot;A wee cracker.&amp;quot;&lt;br&gt;&amp;quot;Very interesting. Triumph of persistence in adversity and man&amp;#39;s pride. The type of film that stirs the blood.&amp;quot;&lt;/i&gt;&lt;br&gt;See also: &lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.factbites.com/topics/English-Channel&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;factbites: English Channel&lt;/a&gt;   &lt;/li&gt;&lt;li&gt;  &lt;b&gt;Great Expectations&lt;/b&gt;&lt;br&gt;Rating: 9&lt;br&gt;Comments from the audience: &lt;i&gt;&amp;quot;A nostalgic trip. Seen in 1949.&amp;quot;&lt;br&gt;&amp;quot;Evocative.&amp;quot;&lt;br&gt;&amp;quot;Anything with Sir John is fine by me. Of its time &amp;amp; a great story.&amp;quot;&lt;/i&gt;&lt;br&gt;See also: &lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.gutenberg.org/etext/1400&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Project Gutenberg&lt;/a&gt;   &lt;/li&gt;&lt;li&gt;  &lt;b&gt;Sideways&lt;/b&gt;&lt;br&gt;Rating: 8&lt;br&gt;Comments from the audience: &lt;i&gt;&amp;quot;Great comedy.&amp;quot;&lt;br&gt;&amp;quot;A cheeky little film. Easy on the palate.&amp;quot;&lt;br&gt;&amp;quot;Very good if predictable.&amp;quot;&lt;/i&gt;&lt;br&gt;See also: &lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.wineandleisure.com/wine101.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Wine 101&lt;/a&gt;   &lt;/li&gt;&lt;li&gt;  &lt;b&gt;Best in Show&lt;/b&gt;&lt;br&gt;Rating: 9&lt;br&gt;Comments from the audience: &lt;i&gt;&amp;quot;Good for a laugh on a wet Friday.&amp;quot;&lt;br&gt;&amp;quot;Hilarious.&amp;quot;&lt;br&gt;&amp;quot;Christopher Guest is a comic genius.&amp;quot;&lt;/i&gt;&lt;br&gt;See also: &lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.the-kennel-club.org.uk/crufts/cruftsframe.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Crufts Dog Show&lt;/a&gt;   &lt;/li&gt;&lt;li&gt;  &lt;b&gt;The Straight Story&lt;/b&gt;&lt;br&gt;Rating:9&lt;br&gt;Comments from the audience: &lt;i&gt;&amp;quot;Excellent&amp;quot;&lt;br&gt;&amp;quot;Wonderful film.&amp;quot;&lt;/i&gt;&lt;br&gt;See also: &lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.roadsideamerica.com/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Roadside America&lt;/a&gt;&lt;/li&gt;&lt;/ol&gt;  &lt;h3&gt;  2005 Season&lt;/h3&gt;  &lt;ol&gt;  &lt;li&gt;  Ae Fond Kiss&lt;br&gt;Rating: 8   &lt;/li&gt;&lt;li&gt;  Bad Santa&lt;br&gt;Rating: Not available   &lt;/li&gt;&lt;li&gt;  Control Room, The&lt;br&gt;Rating: 7   &lt;/li&gt;&lt;li&gt;  Eternal Sunshine of the Spotless Mind&lt;br&gt;Rating: 6   &lt;/li&gt;&lt;li&gt;  Etre et Avoir&lt;br&gt;Rating: 10   &lt;/li&gt;&lt;li&gt;  Finding Neverland&lt;br&gt;Rating: 8   &lt;/li&gt;&lt;li&gt;  Goodbye Lenin&lt;br&gt;Rating: 8   &lt;/li&gt;&lt;li&gt;  Incredibles, The&lt;br&gt;Rating: not rated   &lt;/li&gt;&lt;li&gt;  Monsieur Hulot&amp;#39;s Holiday&lt;br&gt;Rating: 9   &lt;/li&gt;&lt;li&gt;  Motorcycle Diaries&lt;br&gt;Rating: 9   &lt;/li&gt;&lt;li&gt;  Supersize Me&lt;br&gt;Rating: 6   &lt;/li&gt;&lt;li&gt;  Zatoichi&lt;br&gt;Rating: 8&lt;/li&gt;&lt;/ol&gt;  &lt;h3&gt;  2004 Season&lt;/h3&gt;  &lt;ol&gt;  &lt;li&gt;  Calendar Girls   &lt;/li&gt;&lt;li&gt;  Chicago   &lt;/li&gt;&lt;li&gt;  City of God   &lt;/li&gt;&lt;li&gt;  Frida   &lt;/li&gt;&lt;li&gt;  Master and Commander   &lt;/li&gt;&lt;li&gt;  Morvern Callar   &lt;/li&gt;&lt;li&gt;  Pirates of the Caribbean   &lt;/li&gt;&lt;li&gt;  Talk To Her   &lt;/li&gt;&lt;li&gt;  The Battle of Algiers   &lt;/li&gt;&lt;li&gt;  The Man on the Train   &lt;/li&gt;&lt;li&gt;  Whale Rider&lt;/li&gt;&lt;/ol&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>2008 Programme</title><link>http://dunbarfilm.wetpaint.com/page/2008+Programme</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/2008+Programme</guid><pubDate>Sun, 03 Feb 2008 09:33:05 CST</pubDate><description>Welcome to the Programme for the &lt;b&gt;2008 Season of the Dunbar Film Society&lt;/b&gt;.&lt;br&gt;&lt;br&gt;&lt;table align=&quot;bottom&quot; cellpadding=&quot;7&quot; class=&quot;wp-border-none&quot; width=&quot;100%&quot;&gt;  &lt;tbody&gt;  &lt;tr&gt;  &lt;td align=&quot;right&quot; class=&quot;&quot; width=&quot;50%&quot;&gt;  25 January&lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;b&gt;&lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/Little+Miss+Sunshine&quot; target=&quot;_self&quot;&gt;Little Miss Sunshine&lt;/a&gt;&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;right&quot; class=&quot;&quot; width=&quot;50%&quot;&gt;  29 February&lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/The+Lives+of+Others&quot; target=&quot;_self&quot;&gt;&lt;b&gt;The Lives of Others&lt;/b&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;right&quot; class=&quot;&quot; width=&quot;50%&quot;&gt;  28 March &lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;b&gt;&lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/It+Happened+One+Night&quot; target=&quot;_self&quot;&gt;It Happened One Night&lt;/a&gt;&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;right&quot; class=&quot;&quot; width=&quot;50%&quot;&gt;  25 April&lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;b&gt;&lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/The+Chorus&quot; target=&quot;_self&quot;&gt;The Chorus&lt;/a&gt;&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;right&quot; class=&quot;&quot; width=&quot;50%&quot;&gt;  30 May&lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;b&gt;&lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/Half+Nelson&quot; target=&quot;_self&quot;&gt;Half Nelson&lt;/a&gt;&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;right&quot; class=&quot;&quot; width=&quot;50%&quot;&gt;  27 June&lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;b&gt;Into The West&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;right&quot; class=&quot;&quot; width=&quot;50%&quot;&gt;  29 August&lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;b&gt;Pan&amp;#39;s Labyrinth&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;right&quot; class=&quot;&quot; width=&quot;50%&quot;&gt;  26 September&lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;b&gt;United 93&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;right&quot; class=&quot;&quot; width=&quot;50%&quot;&gt;  31 October &lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;b&gt;Little Fish&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;div align=&quot;right&quot;&gt;  28 November&lt;/div&gt;&lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;b&gt;The Taking of Pelham 123&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>Half Nelson</title><link>http://dunbarfilm.wetpaint.com/page/Half+Nelson</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/Half+Nelson</guid><pubDate>Sun, 03 Feb 2008 08:58:57 CST</pubDate><description>&lt;b&gt;&lt;br&gt; Director&lt;/b&gt;: Ryan Fleck&lt;br&gt;&lt;b&gt;Cast&lt;/b&gt;: Ryan Gosling, Jeff Lima, Shareeka Epps, Nathan Corbett, Tyra Kwao-Vovo, Rosemary Ledee&lt;br&gt;&lt;b&gt;Rating&lt;/b&gt;: 15 &lt;br&gt;&lt;b&gt;Length&lt;/b&gt;: 106 minutes&lt;br&gt;&lt;b&gt;Country&lt;/b&gt;: USA&lt;br&gt;&lt;br&gt;&amp;ldquo;Secrets don&amp;#39;t let go.&amp;rdquo;&lt;br&gt;&lt;br&gt;Dan Dunne (Ryan Gosling) is an eighth-grade history teacher in an inner-city school deep in the heart of Brooklyn. He eschews the provided curriculum in favor of off-the-cuff, but deeply heartfelt lectures about the importance of understanding history, rather than just memorizing it. He speaks primarily of dialectics, the tensions between two opposing forces. He is torn between his desire to change the world and his increasingly desperate realization that he can&amp;#39;t, at least not in the grand, awe-inspiring ways that he envisioned as an eager, idealistic college student. He started using drugs as a way to escape the pain of life, and it has turned into a crutch that bears increasingly heavy loads of psychological weight. In his classroom, which is populated almost entirely by black and Hispanic students, Dan lectures about how the world is structured into opposing forces, illustrating it at one point by arm-wrestling one of his students. His unorthodox approach inspires them during class, but interestingly enough we don&amp;#39;t see its effects outside the classroom. The film focuses on Dan and his relationship with Drey (Shareeka Epps), a 13-year-old student of his who catches him in the bathroom smoking crack after school one day. Drey understands Dan&amp;#39;s frustrations with life; she is the child of an overworked single mother whom she barely sees, and spending so much time on her own has made her self-reliant, but also hard on the edges.&lt;br&gt;&lt;h3&gt;See also:&lt;/h3&gt;  &lt;i&gt;&amp;quot;In this cinematic season of vacuity and ineptitude, &lt;b&gt;Half Nelson&lt;/b&gt; has to be seen. Made with assurance, restraint and psychological acuity by director Ryan Fleck and anchored by Ryan Gosling&amp;#39;s commanding performance, this paradigmatic American independent feature approaches recurring themes in a compelling new way. You can&amp;#39;t ask more from a film than that...This is a film that is careful to be real, that fearlessly refuses to overdo potentially incendiary material and that, most telling of all, truly understands and cares about its people and the fragile friendships they attempt to form.&amp;quot; &lt;/i&gt;&lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.calendarlive.com/movies/cl-et-nelson25aug25,0,3397379.story&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Kenneth Turan&lt;br&gt;&lt;/a&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>The Chorus</title><link>http://dunbarfilm.wetpaint.com/page/The+Chorus</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/The+Chorus</guid><pubDate>Sun, 03 Feb 2008 07:59:55 CST</pubDate><description>&lt;b&gt;&lt;br&gt; Director&lt;/b&gt;: Christophe Barratier &lt;br&gt;&lt;b&gt;Cast&lt;/b&gt;: G&amp;eacute;rard Jugnot, Fran&amp;ccedil;ois Berl&amp;eacute;and, Jean-Baptiste Maunier, Jacques Perrin, Kad Merad, Marie Bunel, Philippe Du Janerand, and Jean-Paul Bonnaire&lt;br&gt;&lt;b&gt;Rating&lt;/b&gt;: 12 &lt;br&gt;&lt;b&gt;Length&lt;/b&gt;: 93 minutes&lt;br&gt;&lt;b&gt;Country&lt;/b&gt;: France&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;On 15 January 1949, the former music teacher Cl&amp;eacute;ment Mathieu (G&amp;eacute;rard Jugnot) arrives in &amp;quot;Fond de l&amp;#39; Etang&amp;quot; (&amp;quot;Bottom of the Well&amp;quot;), a boarding school for orphans and problematic boys, to work as an inspector. The place is administrated with iron fist by the cruel director Rachin (Fran&amp;ccedil;ois Berl&amp;eacute;and), and most of the boys have severe punishments for their faults. Cl&amp;eacute;ment decides to teach the boys to sing in a choir in their spare time, and identify the musical potential of the rebel Pierre Morhange (Jean-Baptiste Maunier), the son of a beautiful single mother for whom he feels a crush. He also has a special feeling for the young P&amp;eacute;pinot (Maxence Perrin), a boy that expects the visit of his father every Saturday near the gate, but indeed lost his parents in the war. With his methods, Cl&amp;eacute;ment changes the lives of the boys, of the other employees and his own.&lt;br&gt;&lt;h3&gt;  See also:&lt;br&gt;&lt;/h3&gt;&lt;i&gt;&amp;quot;Loosely adapted from the 1947 film &lt;b&gt;A Cage of Nightingales&lt;/b&gt;, &lt;b&gt;The Chorus&lt;/b&gt; has a strong, well-told story in which the activities of the choir form the background. (The choir heard intermittently throughout the film is Les Petits Chanteurs de Saint-Marc.) Barratier plays against the potential sentimentality of his material with enough humor and tough-mindedness to achieve a note of bittersweetness that seems just right. Warm, intimate and perceptive, &amp;quot;The Chorus&amp;quot; succeeds completely, with Jugnot its mainstay in a winning portrayal of a seemingly ordinary man of much resilience and considerable inner resources&lt;/i&gt;.&amp;quot; &lt;b&gt;&lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.calendarlive.com/movies/reviews/cl-et-chorus22dec22,2,1162549.story&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Kevin Thomas&lt;/a&gt;&lt;/b&gt;  &lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>It Happened One Night</title><link>http://dunbarfilm.wetpaint.com/page/It+Happened+One+Night</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/It+Happened+One+Night</guid><pubDate>Sun, 03 Feb 2008 06:56:31 CST</pubDate><description>&lt;b&gt;&lt;br&gt; Director&lt;/b&gt;: Frank Capra&lt;br&gt;&lt;b&gt;Cast&lt;/b&gt;: Clark Gable, Claudette Colbert, Walter Connolly, Roscoe Karns&lt;br&gt;&lt;b&gt;Rating&lt;/b&gt;: U &lt;br&gt;&lt;b&gt;Length&lt;/b&gt;: 105 minutes&lt;br&gt;&lt;b&gt;Country&lt;/b&gt;: USA&lt;br&gt;&lt;br&gt;&amp;ldquo;Two great lovers of the screen in the grandest of romantic comedies!&amp;rdquo;&lt;br&gt;&lt;br&gt;Screwball cynicism is the order of the day in &lt;i&gt;It Happened One Night, &lt;/i&gt;Capra&amp;#39;s romantic comedy about a rascally reporter (Clark Gable) who falls in love with runaway heiress Claudette Colbert during an eventful bus trip. Like much in Capra&amp;#39;s oeuvre, &lt;i&gt;Night &lt;/i&gt;is about people who live their lives in screaming newspaper headlines, and it pops with speed and manic energy.&lt;br&gt;&lt;h3&gt;See also:&lt;/h3&gt;  &lt;h3&gt; &lt;/h3&gt;  &amp;quot;&lt;i&gt;&lt;b&gt;It Happened One Night&lt;/b&gt; still feels unbeatably fresh and shiveringly touching. It&amp;#39;s partly in the way Gable, with his whip-smart devilishness, softens just enough to reach out to meet Colbert, saucily innocent yet nobody&amp;#39;s fool, more than halfway. And Colbert, with her wisenheimer smirk and stylishly trim frame, represents cultured coolness that&amp;#39;s as far as you can get from coldness: When she thinks Gable has turned against her, the soft tear that glimmers in her eye (without doing anything so gauche as actually rolling down her cheek) is like a miniature novel encompassing a world of restraint, longing and fear of loss.&amp;quot;  &lt;/i&gt;&lt;font face=&quot;Verdana&quot; size=&quot;2&quot;&gt;&lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.salon.com/ent/movies/dvd/review/2001/03/14/it_happened/index.html?CP=IMD&amp;DN=110&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Stephanie Zacharek&lt;/a&gt;&lt;/font&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>The Lives of Others</title><link>http://dunbarfilm.wetpaint.com/page/The+Lives+of+Others</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/The+Lives+of+Others</guid><pubDate>Sun, 03 Feb 2008 06:45:43 CST</pubDate><description>&lt;b&gt;&lt;br&gt; Director&lt;/b&gt;: &lt;b&gt;Florian Henckel von Donnersmarck &lt;/b&gt; &lt;br&gt;&lt;b&gt;Cast&lt;/b&gt;: &lt;b&gt;Martina Gedeck&lt;/b&gt;, &lt;b&gt;Ulrich M&amp;uuml;he&lt;/b&gt;, &lt;b&gt;Sebastian Koch&lt;/b&gt;, &lt;b&gt;Ulrich Tukur&lt;/b&gt;, and &lt;b&gt;Thomas Thieme&lt;/b&gt; &lt;br&gt;&lt;b&gt;Rating&lt;/b&gt;: 15 &lt;br&gt;&lt;b&gt;Length&lt;/b&gt;: 137 minutes&lt;br&gt;&lt;b&gt;Country&lt;/b&gt;: Germany&lt;br&gt;&lt;br&gt;&amp;ldquo;Before the Fall of the Berlin Wall, East Germany&amp;#39;s Secret Police Listened to Your Secrets.&amp;rdquo;&lt;br&gt;&lt;br&gt;The horrifying, sometimes unintentionally funny system of observation in the former East Germany. In the early 1980s, the successful dramatist Georg Dreyman and his longtime companion Christa-Maria Sieland, a popular actress, are big intellectual stars in the socialist state, although they secretly don&amp;#39;t always think loyal to the party line. One day, the Minister of Culture becomes interested in Christa, so the secret service agent Wiesler is instructed to observe and sound out the couple, but their life fascinates him more and more... &lt;br&gt;&lt;h3&gt;  See also:&lt;br&gt;&lt;/h3&gt;  &lt;i&gt;&amp;quot;&lt;b&gt;The Lives of Others&lt;/b&gt; is a powerful but quiet film, constructed of hidden thoughts and secret desires. It begins with Wiesler teaching a class in the theory and practice of interrogation; one chilling detail is that suspects are forced to sit on their hands, so that the chair cushion can be saved for possible use by bloodhounds. It shows how the Wall finally fell, not with a bang, but because of whispers.&amp;quot; &lt;/i&gt;&lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20070920/REVIEWS/70920002/1023&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Roger Ebert&lt;/a&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>Little Miss Sunshine</title><link>http://dunbarfilm.wetpaint.com/page/Little+Miss+Sunshine</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/Little+Miss+Sunshine</guid><pubDate>Sun, 03 Feb 2008 06:30:35 CST</pubDate><description>&lt;b&gt;&lt;br&gt; Directors&lt;/b&gt;: Jonathan Dayton &amp;amp; Valerie Faris&lt;br&gt;&lt;b&gt;Cast&lt;/b&gt;: Abigail Breslin, Greg Kinnear, Paul Dano, Alan Arkin, Toni Collette, Steve Carell&lt;br&gt;&lt;b&gt;Rating&lt;/b&gt;: 15 &lt;br&gt;&lt;b&gt;Length&lt;/b&gt;: 101 minutes&lt;br&gt;&lt;b&gt;Country&lt;/b&gt;: USA&lt;br&gt;&lt;br&gt;&amp;ldquo;A family on the verge of a breakdown&amp;rdquo;&lt;br&gt;&lt;br&gt;Olive is a little girl with a dream: winning the Little Miss Sunshine contest. Her family wants her dream to come true, but they are so burdened with their own quirks, neuroses, and problems that they can barely make it through a day without some disaster befalling them. Olive&amp;#39;s father Richard is a flop as a motivational speaker, and is barely on speaking terms with her mother. Olive&amp;#39;s uncle Frank, a renowned Proust scholar, has attempted suicide following an unsuccessful romance with a male graduate student. Her brother Dwayne, a fanatical follower of Nietzsche, has taken a vow of silence, which allows him to escape somewhat from the family whose very presence torments him. And Olive&amp;#39;s grandfather is a ne&amp;#39;er-do-well with a drug habit, but at least he enthusiastically coaches Olive in her contest talent routine. Circumstances conspire to put the entire family on the road together with the goal of getting Olive to the Little Miss Sunshine contest in far off California.&lt;br&gt;&lt;h3&gt;  See also:&lt;br&gt;&lt;br&gt;&amp;quot;&lt;i&gt;the film accomplishes a remarkable feat of creative alchemy by breathing life and depth into characters that, in lesser hands, could easily have come across as grating caricatures&lt;/i&gt;.&amp;quot;&lt;br&gt; &lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.avclub.com/content/node/50956&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;The Onion AV Club&lt;/a&gt;&lt;/h3&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>Audience feedback</title><link>http://dunbarfilm.wetpaint.com/page/Audience+feedback</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/Audience+feedback</guid><pubDate>Fri, 30 Mar 2007 11:37:21 CDT</pubDate><description>&lt;font size=&quot;5&quot;&gt;&lt;/font&gt;&lt;br&gt;&lt;font size=&quot;5&quot;&gt;&lt;b&gt;Crash&lt;/b&gt;&lt;/font&gt;        &lt;b&gt;(screened Jan &amp;#39;07)&lt;/b&gt;&lt;br&gt;&lt;b&gt;&lt;font size=&quot;5&quot;&gt;&lt;/font&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt; &lt;br&gt;&lt;br&gt;&lt;b&gt;and some of the comments.................&lt;/b&gt; &lt;br&gt;&lt;br&gt;&amp;quot;very good, on edge all the time&amp;quot;&lt;br&gt;&amp;quot;very powerful&amp;quot;&lt;br&gt;&amp;quot;one of the best yet&amp;quot;&lt;br&gt;&amp;quot;very moving and thought provoking&amp;quot;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;font size=&quot;5&quot;&gt;&lt;b&gt;The Consequences of Love&lt;/b&gt;    &lt;/font&gt;&lt;font size=&quot;3&quot;&gt;&lt;b&gt;(screened Feb &amp;#39;07)&lt;/b&gt;&lt;/font&gt;&lt;br&gt;&lt;br&gt; &lt;br&gt;&lt;font size=&quot;4&quot;&gt;&lt;/font&gt;&lt;br&gt;&lt;font size=&quot;4&quot;&gt;and some of the comments............&lt;/font&gt;&lt;br&gt;&lt;font size=&quot;4&quot;&gt;&lt;/font&gt;&lt;br&gt;&amp;quot;excellent a wonderful experience&amp;quot;&lt;br&gt;&amp;quot;strange rather slow story, beautifully filmed, superb music&amp;quot;&lt;br&gt;&amp;quot;Tedious and contrived&amp;quot;&lt;br&gt;&amp;quot;A waste of time&amp;quot;&lt;br&gt;&amp;quot;Interseting&amp;quot;&lt;br&gt;&amp;quot;difficult&amp;quot;&lt;br&gt;&amp;quot;Boring&amp;quot;&lt;br&gt;&amp;quot;Fantastic more films like that&amp;quot;&lt;br&gt;&amp;quot;Strange&amp;quot;&lt;br&gt;&lt;br&gt;which just goes to show you can&amp;#39;t please all of the people all of the time&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>02. The Consequences of Love</title><link>http://dunbarfilm.wetpaint.com/page/02.+The+Consequences+of+Love</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/02.+The+Consequences+of+Love</guid><pubDate>Fri, 30 Mar 2007 11:33:55 CDT</pubDate><description>23 February 2007 &lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/Audience+feedback&quot; target=&quot;_top&quot; title=&quot;see audience feedback for this film&quot;&gt;&lt;font size=&quot;2&quot;&gt;see audience feedback for this film&lt;/font&gt;&lt;/a&gt;&lt;br&gt; &lt;font size=&quot;2&quot;&gt;&lt;b&gt;Director&lt;/b&gt;: Paolo Sorrentino&lt;br&gt;&lt;b&gt;Cast&lt;/b&gt;: Toni Bardem, Luis Tosar, Celso Bugallo, Nieve de Medina, Enrique Vill&amp;oacute;n&lt;br&gt;&lt;b&gt;Rating&lt;/b&gt;: 15&lt;br&gt;&lt;b&gt;Length&lt;/b&gt;: 104 minutes&lt;br&gt;&lt;b&gt;Country&lt;/b&gt;: Italy&lt;/font&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;In a Swiss hotel, an Italian businessman named Titta Di Girolamo sits silently, alone in the window of the caf&amp;eacute; as he&amp;#39;s done every day for eight years. So what, exactly, is he doing? The glittering, must-see &lt;i&gt;Consequences Of Love&lt;/i&gt; stars Toni Servillo as the mysterious 50-year-old resident. He sits apart, impeccable and impenetrable; he smokes and he waits. And so do we - but not for long as Signore Girolamo has secrets everywhere. &lt;br&gt;&lt;br&gt;In the style of director Paolo Sorrentino&amp;#39;s film, the plot will have to remain in the dark - it unfolds itself with such elegance that it would be a crime to give anything away. Even the genre remains a mystery for almost an hour - and then plays out with a brilliant flair for the unexpected. &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;h3&gt;  See also:&lt;/h3&gt;&lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.rotten.com/library/bio/mad-science/erich-von-daniken/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Erich von D&amp;auml;niken&lt;/a&gt;. And you thought the Swiss were boring? Think again. Have a look at one of Switzerland&amp;#39;s strangest native sons, the unrepeatable Eric von Daniken. Okay, so this site has little to do with this film but it just goes to show what can bubble beneath the most tightly controlled surface. And admit it, after watching this little film you&amp;#39;ll want a good laugh.   &lt;br&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>01. Crash</title><link>http://dunbarfilm.wetpaint.com/page/01.+Crash</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/01.+Crash</guid><pubDate>Fri, 30 Mar 2007 11:28:19 CDT</pubDate><description>26 January 2007                                                            &lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/Audience+feedback&quot; target=&quot;_top&quot; title=&quot;See audience feedback of this film&quot;&gt;&lt;font size=&quot;2&quot;&gt;See audience feedback of this film&lt;/font&gt;&lt;/a&gt;&lt;b&gt;&lt;br&gt; &lt;font size=&quot;2&quot;&gt;Director&lt;/font&gt;&lt;/b&gt;&lt;font size=&quot;2&quot;&gt;: Paul Haggis&lt;br&gt;&lt;b&gt;Cast&lt;/b&gt;: Matt Dillon, Don Cheadle, Sandra Bullock, Jennifer Esposito, Terrence Howard, Brendan Fraser&lt;br&gt;&lt;b&gt;Rating&lt;/b&gt;: 15 &lt;br&gt;&lt;b&gt;Length&lt;/b&gt;: 113 minutes&lt;br&gt;&lt;b&gt;Country&lt;/b&gt;: USA&lt;/font&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&amp;ldquo;Moving at the speed of life, we are bound to collide with each other.&amp;rdquo;&lt;br&gt;&lt;br&gt;A Brentwood housewife and her District Attorney. husband. A Persian store owner. Two police detectives who are also lovers. An African-American television director and his wife. A Mexican locksmith. Two car-jackers. A rookie cop. A middle-aged Korean couple. They all live in Los Angeles andduring the next 36 hours, they will all collide&amp;hellip;&amp;hellip;.&lt;br&gt;&lt;br&gt;Writer/director Paul Haggis (who scripted Clint Eastwood&amp;#39;s Oscar-winner Million Dollar Baby) sets out to address difficult issues: why middle-class whites are afraid of working-class blacks, why being racist doesn&amp;#39;t necessarily mean being inhuman, and how politics confuses the truth.&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;h3&gt;  See also:&lt;/h3&gt;  &lt;h3&gt;  &lt;/h3&gt;&lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.fragmentsweb.org/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Fragments&lt;/a&gt;. &amp;quot;This is more or less a personal site where you can find thoughts and information about many of the subjects that interest me: the nature of power, the necessity of social change, the futility of war, the stupidity of violence and the promise of strategic nonviolence. These topics and more are explored by presenting fragments of ideas in essays, stories, quotes, rants, poetry, graphic art and photographs.&amp;quot; So begins the home page of &amp;quot;Fragments&amp;quot;, by &lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.fragmentsweb.org/fourtx/contact.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;James VanHise.&lt;/a&gt; Have a look at the &amp;quot;Personal Stories&amp;quot;, and the essays and photos behind the link &amp;quot;&lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.fragmentsweb.org/TXT1/decaytx.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;DECAY IN LOS ANGELES&lt;/a&gt;&amp;quot;. There is much food for thought here.   &lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>2007 Programme</title><link>http://dunbarfilm.wetpaint.com/page/2007+Programme</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/2007+Programme</guid><pubDate>Fri, 30 Mar 2007 11:24:12 CDT</pubDate><description>Welcome to the Programme for the &lt;b&gt;2007 Season of the Dunbar Film Society&lt;/b&gt;.&lt;br&gt;&lt;br&gt;&lt;table align=&quot;bottom&quot; cellpadding=&quot;7&quot; class=&quot;wp-border-none&quot; width=&quot;100%&quot;&gt;  &lt;tbody&gt;  &lt;tr&gt;  &lt;td align=&quot;right&quot; class=&quot;&quot; width=&quot;50%&quot;&gt;  26 January&lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/01.+Crash&quot; target=&quot;_top&quot;&gt;&lt;b&gt;Crash&lt;/b&gt;&lt;/a&gt;&lt;br&gt;&lt;font size=&quot;2&quot;&gt;&lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/Audience+feedback&quot; target=&quot;_top&quot;&gt;(see audience feedback for this film)&lt;/a&gt;&lt;/font&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;right&quot; class=&quot;&quot; width=&quot;50%&quot;&gt;  23 February&lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/02.+The+Consequences+of+Love&quot; target=&quot;_top&quot;&gt;&lt;b&gt;The Consequences of Love&lt;/b&gt;&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/Audience+feedback&quot; target=&quot;_top&quot; title=&quot;(see audience feedback for this film)&quot;&gt;&lt;font size=&quot;2&quot;&gt;(see audience feedback for this film)&lt;/font&gt;&lt;/a&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;right&quot; class=&quot;&quot; width=&quot;50%&quot;&gt;  30 March &lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/03.+The+3+Burials+of+Melquades+Estrada&quot; target=&quot;_top&quot;&gt;&lt;b&gt;The 3 Burials of &lt;br&gt;Melquiades Estrada&lt;/b&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;right&quot; class=&quot;&quot; width=&quot;50%&quot;&gt;  27 April&lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/04.+Ignorant+Fairies&quot; target=&quot;_top&quot;&gt;&lt;b&gt;Ignorant Fairies&lt;/b&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;right&quot; class=&quot;&quot; width=&quot;50%&quot;&gt;  25 May&lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/05.+Capote&quot; target=&quot;_top&quot;&gt;&lt;b&gt;Capote&lt;/b&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;right&quot; class=&quot;&quot; width=&quot;50%&quot;&gt;  29 June&lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/06.+Central+Station&quot; target=&quot;_top&quot;&gt;&lt;b&gt;Central Station&lt;/b&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;right&quot; class=&quot;&quot; width=&quot;50%&quot;&gt;  31 August&lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/07.+Volver&quot; target=&quot;_top&quot;&gt;&lt;b&gt;Volver&lt;/b&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;right&quot; class=&quot;&quot; width=&quot;50%&quot;&gt;  28 September&lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/08.+Fateless&quot; target=&quot;_top&quot;&gt;&lt;b&gt;Fateless&lt;/b&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;right&quot; class=&quot;&quot; width=&quot;50%&quot;&gt;  26 October &lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/09.+Pierrepoint&quot; target=&quot;_top&quot;&gt;&lt;b&gt;Pierrepoint&lt;/b&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;div align=&quot;right&quot;&gt;  30 November&lt;/div&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;  &lt;td class=&quot;&quot; width=&quot;50%&quot;&gt;  &lt;b&gt;&lt;a href=&quot;http://dunbarfilm.wetpaint.com/page/10.+The+World%27s+Fastest+Indian&quot; target=&quot;_top&quot;&gt;The World&amp;#39;s Fastest Indian&lt;/a&gt;&lt;br&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>10. The World's Fastest Indian</title><link>http://dunbarfilm.wetpaint.com/page/10.+The+World%27s+Fastest+Indian</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/10.+The+World%27s+Fastest+Indian</guid><pubDate>Fri, 22 Dec 2006 13:36:11 CST</pubDate><description>20 November 2007&lt;font size=&quot;2&quot;&gt;&lt;br&gt;&lt;b&gt; Director&lt;/b&gt;: Roger Donaldson&lt;br&gt;&lt;b&gt;Cast&lt;/b&gt;: Anthony Hopkins, Diane Ladd, Paul Rodriguez, Chris Lawford, Chris Williams, Aaron Murphy&lt;br&gt;&lt;b&gt;Rating&lt;/b&gt;: 12A&lt;br&gt;&lt;b&gt;Length&lt;/b&gt;: 127 minutes&lt;br&gt;&lt;b&gt;Country&lt;/b&gt;: USA/New Zealand&lt;br&gt;&lt;/font&gt;&lt;br&gt;Anthony Hopkins stars as Burt Munro, in a true story of a man who never let the dreams of youth fade. &lt;br&gt;&lt;br&gt;After a lifetime of perfecting his classic Indian motorcycle, Burt set off from the bottom of the world with all the odds against him, to test his bike at the Bonneville Salt Flats in Utah. &lt;br&gt;&lt;br&gt;&lt;h3&gt;See also&lt;/h3&gt;&lt;br&gt;&lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.indianmotorbikes.com/features/munro/munro.htm&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Burt Munro&lt;/b&gt; - A New Zealand Legend, The &lt;b&gt;Munro&lt;/b&gt;&lt;/a&gt;&lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.indianmotorbikes.com/features/munro/munro.htm&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt; Special&lt;br&gt;&lt;/a&gt;This is the top hit on Google for Burt Munro, and it&amp;#39;s chock-full of obscure facts and vintage photos. From the official Indian Motorbikes web site.&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>09. Pierrepoint</title><link>http://dunbarfilm.wetpaint.com/page/09.+Pierrepoint</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/09.+Pierrepoint</guid><pubDate>Fri, 22 Dec 2006 13:35:53 CST</pubDate><description>26 October 2007&lt;br&gt;  				&lt;font size=&quot;2&quot;&gt;&lt;b&gt;Director&lt;/b&gt;: Adrian Shergold&lt;br&gt;&lt;b&gt;Cast&lt;/b&gt;: Timothy Spall, Juliet Stevenson, Eddie Marsan, Cavan Clerkin, Christopher Fulford&lt;br&gt;&lt;b&gt;Rating&lt;/b&gt;: 15&lt;br&gt;&lt;b&gt;Length&lt;/b&gt;: 95 minutes&lt;br&gt;&lt;b&gt;Country&lt;/b&gt;: UK&lt;br&gt;&lt;/font&gt;&lt;br&gt;&lt;i&gt;Pierrepoint&lt;/i&gt; is the gripping and dramatic true-life story of Albert Pierrepoint, Britain&amp;#39;s most notorious hangman. Following in the footsteps of his father and uncle before him, Albert joins the &amp;#39;family business&amp;#39; in 1934.&lt;br&gt;&lt;br&gt;Living a secret life as a master hangman, as well as a humble grocery deliveryman and loyal husband, Pierrepoint&amp;#39;s reputation as the most highly regarded executioner in the land results in him executing some of Britain&amp;#39;s most infamous murderers including Derek Bentley and Ruth Ellis, and also the Nazi war criminals convicted at the Nuremberg Trails. But the media coverage from these shatters Pierrepoint&amp;#39;s closely guarded anonymity turning him into a minor celebrity.&lt;br&gt;&lt;br&gt;As his two lives collide, and public opinion turns against capital punishment, Pierrepoint troubled by his notoriety is ready to give it all up, but fate has other plans in store for him.&lt;br&gt;&lt;br&gt;&lt;h3&gt;See also&lt;/h3&gt;&lt;br&gt;&lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.simon-jones.org.uk/articles/syd_dernley_interview_part1.htm&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;The Last Hangman&lt;/a&gt;: A 1994 interview with Syd Dernley, the last of the British Hangmen. A man who enjoyed his work - a little too much, perhaps.&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>08. Fateless</title><link>http://dunbarfilm.wetpaint.com/page/08.+Fateless</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/08.+Fateless</guid><pubDate>Fri, 22 Dec 2006 13:35:32 CST</pubDate><description>28 September 2007&lt;br&gt;	&lt;font size=&quot;2&quot;&gt;&lt;b&gt; Director&lt;/b&gt;: Lajos Koltai&lt;br&gt;&lt;b&gt;Cast&lt;/b&gt;: Marcell Nagy, &amp;Aacute;ron Dim&amp;eacute;ny, B&amp;eacute;la D&amp;oacute;ra, P&amp;eacute;ter Vida, Zsolt D&amp;eacute;r, Daniel Craig&lt;br&gt;&lt;b&gt;Rating&lt;/b&gt;: 12a&lt;br&gt;&lt;b&gt;Length&lt;/b&gt;: 134 minutes&lt;br&gt;&lt;b&gt;Country&lt;/b&gt;: Hungary, Germany, UK &lt;/font&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Fiercely unsentimental and surprisingly beautiful, Hungarian drama Fateless does the seemingly impossible: it succeeds in portraying the subject of the Holocaust in a new and devastating light. Based on a novel by Nobel Prize-winning author Imre Kert&amp;eacute;sz, it&amp;#39;s the story of 14-year-old Hungarian Jew Gy&amp;ouml;rgy K&amp;ouml;ves, whose unremarkable arrest on a bus in Budapest leads to Auschwitz, Buchenwald and near death in a smaller German labour camp. It&amp;#39;s a handsome and large-scale production but don&amp;#39;t go expecting another Schindler&amp;#39;s List. Lajos Koltai&amp;#39;s film is far more ambiguous, disturbing and, ultimately, uplifting. &lt;br&gt;&lt;br&gt;&lt;h3&gt;See also&lt;/h3&gt;&lt;br&gt;&lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.holocaustchronicle.org/StaticPages/526.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;The Holocaust Chronicles&lt;/a&gt;: The section on the Hungarian Jews gives all the harrowing background you could ask for. Note, make sure you use the &amp;quot;Next Page&amp;quot; link at the top of the page to get the full story.&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>07. Volver</title><link>http://dunbarfilm.wetpaint.com/page/07.+Volver</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/07.+Volver</guid><pubDate>Fri, 22 Dec 2006 13:35:05 CST</pubDate><description>31 August 2007&lt;br&gt;&lt;b&gt; &lt;font size=&quot;2&quot;&gt;Director&lt;/font&gt;&lt;/b&gt;&lt;font size=&quot;2&quot;&gt;: Pedro Almod&amp;oacute;var&lt;br&gt;&lt;b&gt;Cast&lt;/b&gt;: Pen&amp;eacute;lope Cruz, Carmen Maura, Lola Due&amp;ntilde;as, Blanca Portillo, Yohana Cobo&lt;br&gt;&lt;b&gt;Rating&lt;/b&gt;: 15&lt;br&gt;&lt;b&gt;Length&lt;/b&gt;: 121 minutes&lt;br&gt;&lt;b&gt;Country&lt;/b&gt;: Spain&lt;/font&gt;&lt;br&gt;&lt;br&gt;Three generations of women survive the east wind, fire, insanity, superstition and even death by means of goodness, lies and boundless vitality.&lt;br&gt;&lt;br&gt;They are Raimunda (P&amp;eacute;nelope Cruz), who is married to an unemployed labourer and has a teenage daughter (Yohana Cobo); Sole (Lola Due&amp;ntilde;as), her sister, who makes a living as a hairdresser; and the mother of both (Carmen Maura), who died in a fire along with her husband. This character appears first to her sister (Chus Lampreave) and then to Sole, although the people with whom she has some unresolved matters are Raimunda and her neighbour in the village, Agustina (Blanca Portillo).&lt;br&gt;&lt;br&gt;Pedro Almod&amp;oacute;var gets back in touch with his feminine side in &lt;i&gt;Volver&lt;/i&gt;, the Spanish helmer&amp;#39;s most femme fable since 1999&amp;#39;s All About My Mother. One of that film&amp;#39;s stars, Pen&amp;eacute;lope Cruz, here takes centre stage as a domestic drudge caught up in family strife - including the return of her supposedly dead mother (Almod&amp;oacute;var veteran Carmen Maura). Despite dwelling on death, there&amp;#39;s plenty of life in this mix of tears and laughter.&lt;br&gt;&lt;br&gt;&lt;h3&gt;See also&lt;/h3&gt;&lt;br&gt;&lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.clubcultura.com/clubcine/clubcineastas/almodovar/eng/homeeng.htm&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Pedro Almod&amp;oacute;var official web site&lt;/a&gt;: If you are an Almod&amp;oacute;var fan, this site is for you. Enjoy.&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>06. Central Station</title><link>http://dunbarfilm.wetpaint.com/page/06.+Central+Station</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/06.+Central+Station</guid><pubDate>Fri, 22 Dec 2006 13:34:45 CST</pubDate><description>29 June 2007&lt;br&gt;&lt;b&gt; &lt;font size=&quot;2&quot;&gt;Director&lt;/font&gt;&lt;/b&gt;&lt;font size=&quot;2&quot;&gt;: Walter Salles&lt;br&gt;&lt;b&gt;Cast&lt;/b&gt;: Fernanda Montenegro, Vinicius de Oliveira, Marilia Pera, Soia Lira Rating: 15&lt;br&gt;&lt;b&gt;Length&lt;/b&gt;: 113min&lt;br&gt;&lt;b&gt;Country&lt;/b&gt;: Brazil / France&lt;br&gt;&lt;/font&gt;&lt;br&gt;Dora (Fernanda Montenegro) is a former school teacher who makes a living by writing letters for illiterate people passing through Rio de Janeiro&amp;rsquo;s main train station, Central do Brasil. Among her clients are Ana (S&amp;ocirc;ia Lira) and her nine-year-old son Josu&amp;eacute; (Vinicius de Oliveira), who has a fierce desire to meet his father, whom he has never seen.&lt;br&gt;&lt;br&gt;But Dora&amp;rsquo;s life is about to change dramatically. The next day, soon after Ana returns to Central do Brasil with Josu&amp;eacute; and dictates a second letter to the boy&amp;rsquo;s father, she is hit by a bus after leaving the station and dies. Left alone with no relatives in Rio, Josu&amp;eacute; wanders aimlessly around the station.&lt;br&gt;&lt;br&gt;Swayed by a curiously maternal compassion, Dora resists her initial impulse to make a quick profit off the child and commits to returning Josu&amp;eacute; to his father in Brazil&amp;rsquo;s remote Northeast. As buses and trucks carry the motley pair through the increasingly unfamiliar terrain, they defy their initial aversion to each other, journeying closer together and deeper inside themselves. The journey becomes a quest for their own identities: one boy&amp;rsquo;s search for his father; one woman&amp;rsquo;s search for her heart; a nation&amp;rsquo;s yearning for its roots.&lt;br&gt;&lt;br&gt;&lt;h3&gt;See also:&lt;/h3&gt;&lt;br&gt;&lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.yomiuri.co.jp/dy/columns/0004/station079.htm&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Life imitates art at setting for &amp;#39;Central Station&amp;#39;&lt;/a&gt;: Article in the &amp;quot;Daily Yomiuri Online&amp;quot; of all places, about how the Brasilian government thought that writing letters for illiterates was probably a good idea, and set up a &amp;quot;Letter Center&amp;quot; in the Don Pedro II station in Rio de Janeiro.   &lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>05. Capote</title><link>http://dunbarfilm.wetpaint.com/page/05.+Capote</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/05.+Capote</guid><pubDate>Fri, 22 Dec 2006 13:34:22 CST</pubDate><description>25 May 2007&lt;b&gt;&lt;br&gt; &lt;font size=&quot;2&quot;&gt;Director&lt;/font&gt;&lt;/b&gt;&lt;font size=&quot;2&quot;&gt;: Bennett Miller&lt;br&gt;&lt;b&gt;Cast&lt;/b&gt;: Philip Seymour Hoffman, Catherine Keener, Clifton Collins Jr, Chris Cooper, Bruce Greenwood&lt;br&gt;&lt;b&gt;Rating&lt;/b&gt;: 15&lt;br&gt;&lt;b&gt;Length&lt;/b&gt;: 115 minutes&lt;br&gt;&lt;b&gt;Country&lt;/b&gt;: USA&lt;/font&gt;&lt;br&gt;&lt;br&gt;In 1959, Truman Capote, a popular writer for The New Yorker, learns about the horrific and senseless murder of a family of four in Holcomb, Kansas. Inspired by the story material, Capote and his partner, Harper Lee, travel to the town to research for an article. However, as Capote digs deeper into the story, he is inspired to expand the project into what would be his greatest work, In Cold Blood. To that end, he arranges extensive interviews with the prisoners, especially with Perry Smith, a quiet and articulate man with a troubled history. As he works on his book, Capote feels some compassion for Perry which in part prompts him to help the prisoners to some degree. However, that feeling deeply conflicts with his need for closure for his book which only an execution can provide. That conflict and the mixed motives for both interviewer and subject make for a troubling experience that would produce a literary account that would redefine modern non-fiction.&lt;br&gt;&lt;br&gt;&lt;h3&gt;See also:&lt;/h3&gt;&lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www2.ljworld.com/news/2005/apr/03/the_book_that/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;The book that changed a town&lt;/a&gt;. An article from a Kansas newspaper on the 40th anniversary of the publication of &lt;i&gt;In Cold Blood. &lt;/i&gt;A sobering account of the tragedy viewed by the people who lived through it. Understandably enough, all they want to do is forget.&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>04. Ignorant Fairies</title><link>http://dunbarfilm.wetpaint.com/page/04.+Ignorant+Fairies</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/04.+Ignorant+Fairies</guid><pubDate>Fri, 22 Dec 2006 13:34:03 CST</pubDate><description>27 April 2007&lt;b&gt;&lt;br&gt; &lt;font size=&quot;2&quot;&gt;Director&lt;/font&gt;&lt;/b&gt;&lt;font size=&quot;2&quot;&gt;: Ferzan Ozpetek&lt;br&gt;&lt;b&gt;Cast&lt;/b&gt;: Margherita Buy, Stefano Accorsi, Serra Yilmaz, Andrea Renzi, Gabriel Garko&lt;br&gt;&lt;b&gt;Rating&lt;/b&gt; : 15&lt;br&gt;&lt;b&gt;Length&lt;/b&gt;: 109 minutes&lt;br&gt;&lt;b&gt;Country&lt;/b&gt;: France/Italy&lt;/font&gt;&lt;br&gt;&lt;br&gt;Antonia (Margherita Buy) seems to have the perfect life with husband Massimo (Andrea Renzi). Healthy, wealthy, and happy, they live in a sprawling villa on the outskirts of Rome and share everything together. Well, almost everything. &lt;br&gt;&lt;br&gt;After Massimo is killed in a road accident, Antonia discovers her doting husband was having an affair. Worse still, the widow realises that her rival isn&amp;#39;t a she, but a he. &lt;br&gt;&lt;h3&gt;See also:&lt;/h3&gt;&lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.globalgayz.com/g-italy.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;A Visit to Gay Friends            in Sicily&lt;/a&gt;. An interesting insight into Italy&amp;#39;s attitudes to gay relationships, by an Italian holidaying with his boyfriend in Sicily. Plenty of links on this page to keep you going.&lt;br&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>03. The 3 Burials of Melquades Estrada</title><link>http://dunbarfilm.wetpaint.com/page/03.+The+3+Burials+of+Melquades+Estrada</link><author>dunbarfilm</author><guid isPermaLink="false">http://dunbarfilm.wetpaint.com/page/03.+The+3+Burials+of+Melquades+Estrada</guid><pubDate>Fri, 22 Dec 2006 13:33:46 CST</pubDate><description>30 March 2007&lt;b&gt;&lt;br&gt; &lt;font size=&quot;2&quot;&gt;Director&lt;/font&gt;&lt;/b&gt;&lt;font size=&quot;2&quot;&gt;: Tommy Lee Jones&lt;br&gt;&lt;b&gt;Cast&lt;/b&gt;: Tommy Lee Jones, Barry Pepper, Julio Cedillo, Dwight Yoakam, January Jones&lt;br&gt;&lt;b&gt;Rating&lt;/b&gt;: 15&lt;br&gt;&lt;b&gt;Length&lt;/b&gt;: 121 minutes&lt;br&gt;Country: USA/France&lt;/font&gt;&lt;br&gt;&lt;br&gt;Tommy Lee Jones turns director for &lt;i&gt;The Three Burials Of Melquiades Estrada&lt;/i&gt;, a thoughtful modern Western exploring death, delusion and friendship. He&amp;#39;s Pete Perkins, a rancher stricken by grief when his Mexican employee and friend Mel (Julio Cedillo) is killed. Enraged by official indifference at the death of this illegal immigrant, he sets out to fulfil a promise by taking the corpse home to Mexico - with an unwilling prisoner, Border Patrolman Mike Norton (Barry Pepper), in tow. &lt;br&gt;&lt;br&gt;The film is filled with affection for the land - it was shot partly on Jones&amp;#39; own West Texas ranch - and a clear-eyed view of the relationship between America and Mexico; the affluent bully exploiting its poor neighbour (although even on an allegorical level it retains a pleasing ambiguity). There is also a terrific sense for small lives filled with frustration and the inherent First World racism that says life only really matters if it is White. The notoriously gruff Jones would no doubt dismiss such talk as guff and maybe he would be right. Whatever: this gripping film about real people is well-worth excavating.&lt;br&gt;&lt;br&gt;Guillermo Arriaga&amp;#39;s dramatic and poetic script weaves past and present as it gradually reveals a great friendship, the lonely subterfuge of an illegal migrant&amp;#39;s life, the cost of a promise made and kept, and culminates in the redemption of a callous if accidental killer. The US/Mexico border has long been plagued with violence and racism, and many of the events that unfold in The three burials of Melquiades Estrada are accurate depictions of the ongoing abuse of human rights in the region. But the film offers, in its conclusion, a pure form of contrition for wrongs committed, and a striking note of empathy for the lives so changed.&lt;br&gt;&lt;br&gt;&lt;h3&gt;See also:&lt;/h3&gt;&lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.laweekly.com/general/a-considerable-town/viva-border-volleyball/14095/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&amp;iexcl;Viva Border Volleyball!&lt;/a&gt; There are plenty of grim sites out there about the Mexican-American border and the plight of illegal immigrants, but what you really wanted to read about and see was an over-the-wall game of volleyball played on a Tijuana beach. &lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://wholphindvd.com/issues/issue_3.html#&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;See the video clip&lt;/a&gt;, and while you&amp;#39;re at it, follow the link at the bottom to the &lt;a class=&quot;external&quot; href=&quot;http://dunbarfilm.wetpaint.comhttp://www.nnirr.org/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;National Network for Immigration and Refugee Rights&lt;/a&gt;, for a little dose of cold reality.&lt;br&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item></channel></rss>